ANNE WALSH
anne@annewalshjunior.org
www.doublearchive.com
EDUCATION
M.F.A., California Institute of the Arts, Valencia, CA 1990
B.A., History of Art, University of Michigan, Ann Arbor, MI 1985
SOLO EXHIBITIONS/SCREENINGS
Solway/Jones Gallery, Los Angeles, CA 2007
Mills College Art Museum, Oakland, CA 2005
Pacific Film Archive, Berkeley. CA 2004
Huis a/d Werf, Utrecht, Netherlands, 2000
Gallery Video Program, Institute of Visual Arts, Milwaukee, WI 1999
MUU Gallery, Helsinki, Finland, 1997
Casey Kaplan, New York City, NY 1996
California Institute of the Arts, Valencia, CA 1990
SELECTED GROUP EXHIBITIONS
2006 Again for Tomorrow, Royal College of Art, London, UK exhibited as ARCHIVE
Dynasty, MC Gallery, New York City, NY exhibited as ARCHIVE
From the Island of Misfit Toys, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA
Where Truth Lies, Anne Reed Gallery, Ketchum, ID, USA, exhibited as ARCHIVE
2005 The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, The Center for Art and
Visual Culture, University of Maryland, Baltimore County, exhibited as ARCHIVE
Bay Area Now 4, Yerba Buena Center for the Arts, San Francisco, CA, exhibited as ARCHIVE
Things are People Too, various locations, Portland, OR
Aural Cultures, Walter Phillips Gallery, Banff Centre for the Arts, Alberta, Canada, exhibited as ARCHIVE
Séance, , Fort Point Arts Community Gallery, Boston, MA
Tomorrow Minus Five, Super Deluxe, Tokyo, Japan
2004 2048, OR Gallery, Vancouver, B.C. Canada
Ghost Stories, University Art Museum, U. Texas, Austin, TX exhibited as ARCHIVE
GO, Liquidacion Total, Madrid, Spain
Birdspace, Contemporary Art Center, New Orleans, on tour through 2006
superCinematics, WORK Gallery, Ann Arbor, MI
Rituals of the Future, Galerie Lothringer 13, Munich, Germany exhibited as ARCHIVE
Miradas Tangentes , LCE La Casa Encendida, Madrid, Spain
2003 First Person, DVD exhibition, touring U.S and Mexico
The Disembodied Spirit, , Bowdoin College Museum of Art, fall 2003 exhibited under the name of ARCHIVE
Echo Sparks, Ars Electronica Center, Linz, Austria, March 2003
Radio Radio, Anthony Wilkinson Gallery, London, U.K., February 2003
Group exhibition and radio broadcast as ARCHIVE
2002 2002 Biennial, Whitney Museum of American Art, March 2002, exhibited as ARCHIVE
Faculty Show, U.C. Irvine, Irvine, CA
The Big M, touring video festival throughout the United Kingdom 2002-2003
2001 Art in Motion II, Santa Monica Museum of Art, Santa Monica,CA, exhibited as ARCHIVE
2000 Desperate Optimists, Huis a/d Werf, Utrecht, Netherlands
Picturing the Modern Amazon, New Museum of Contemporary Art, NY
Made in California, Los Angeles County Museum of Art, Los Angeles, CA
1999 Laboratorium Antwerp, Belgium
L.A. Edge, city-wide video festival, Los Angeles, CA
1998 Elbowroom, Tredje Späret, Stockholm, Sweden
Wings of Desire, Walter McBean Gallery, San Francisco, CA
Trash, Los Angeles Municipal Art Gallery, Barnsdall Park, Los Angeles, CA
1997 Anne Walsh, Sam Durant, Four Walls, San Francisco, CA
Collective Noise, Joseph Santarromana Studio, Los Angeles, CA
Shot Reverse-Shot, Walter Phillips Gallery, Banff Centre for the Arts, Banff, AB, Canada
1996 True Bliss, LACE, Los Angeles, CA.
Sexual Politics: Judy Chicago's 'Dinner Party' in Feminist Art History,
Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
1995 Photography L.A. Now, Los Angeles County Museum of Art, Los Angeles, CA
Digi Days, American Film Institute, Los Angeles, CA
Persistent Dispositions, Technetronic Identities, California Institute of the Arts, Valencia, CA
1994 Valie Export, Anne Walsh, Austrian Cultural Institute, New York City, NY
Bad Girls West, Wight Art Gallery, UCLA, Los Angeles, CA
DISCOGRAPHY
Visits with Joseph Cornell, audio cd, volume 3 of Art After Death,
collaboration with Chris Kubick, produced under the name of ARCHIVE
release date March 2004
Yves Klein Speaks, audio cd, volume 2 of Art After Death,
collaboration with Chris Kubick, produced under the name of ARCHIVE
release date March 2002
Conversations with the Countess of Castiglione, audio cd, volume 1 of Art After Death,
collaboration with Chris Kubick, produced under the name of ARCHIVE
release date March 2001
PERFORMANCE<
Yves Klein Speaks!, in collaboration with Chris Kubick
Kunstarkaden, Munich, July 2004
San Francisco Art Institute, San Francisco February 2004
Museum of Contemporary Art, Los Angeles January, 2004
An Evening with Joseph Cornell, in collaboration with Chris Kubick
Royal College of Art, London, UK, April 2006
Yerba Buena Center for the Arts, October 2005
GrandArts, Kansas City, MO March 2005
University Art Museum, University of Texas at Austin, October 2004
University of Colorado, Boulder, September 2004
ISSUE Project Room, New York City, April, 2004
Museum of Contemporary Art, Los Angeles March 2004
University of Essex, Colchester, U.K. September, 2003
J. Paul Getty Museum, Los Angeles, November, 2002.
ARCHIVE Live, performance lecture for Nomads and Residents Series,
various locations, Los Angeles, October 2002
ARCHIVE Live, performance lecture, Aero and Co., Los Angeles, November 2001
Suprasegmental, two-day performance-lecture with Joseph Grigely, Cranbrook Academy of Fine Arts,
Bloomfield Hills, MI November 1999
CURATORIAL PROJECTS
Five Habitats: Squattinng at Langton, New Langton Arts, San Francisco, 2006
Monumental – Recent Bay Area Video, screening, Southern Exposure Gallery, San Francisco, 2004
Tender Habitat – three works by Aernout Mik, Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, 2000
Philosophy in the Bedroom, OR, Vancouver, BC 2000
Play Mode, University of California, Irvine, Fine Arts Gallery, 1998
Lost and Found, POST, Los Angeles, 1998 (co-curated with Soo Jin Kim)
Just a Minute, Los Angeles Center for Photographic Studies, 1997
18 one-minute videotapes, curated by Anne Walsh, Joseph Santarromana, Annetta Kapon
PUBLICATIONS
“F is for Foley, CABINET, Issue 23, Fall 2006
Artist’s Project, Leonardo Music Journal, Fall 2006
“Interview with Lawrence Rinder,” X-Tra, Spring 2005
Organum Sound Database, http://art.berkeley.edu/organum, November 2004
“The better to ____ you by,” catalogue essay for THREE CROWDS,
Institute for Contemporary Art, London, England. November 2000,
revised and reprinted for Berlin Bienale catalogue, May 2001
X-Tra, 1997 - present, co-editor
“Interview with Kevin Appel,” X-Tra, fall 1999 vol 3, no.1
“Interview with Jim Isermann” X-Ttra, fall 1999 vol 3, no.1
“Houses by Artists,” X-tra, fall 1999 vol 3, no.1
Tender Habitat – three works by Aernout Mik, exhibition catalogue,
University of Michigan, September 2000
Play Mode, exhibition catalogue, University of California Irvine,
November 1998
Snowflake, Fall 1996 - artist's page
Whitewalls, "A Wretch Like Me," Spring 1995
Framework, 1994 - artist's pages
Faultline, Fall 1993 - cover and artist's pages
SELECTED BIBLIOGRAPHY
Again for Tomorrow, exhibition catalogue, Royal College of Art, 2006
Bay Area….Art in America, January 2006, p.
Jane Marsching and Mark Alice Durant, The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal.
Exhibition catalogue, MIT Press, 2005
Rene de Guzman, Bay Area Now 4, exhibition catalogue. Yerba Buena Center for the Arts, 2005
Glen Helfand, “Area Drift,” San Francisco Bay Guardian, July 27, 2005
María del Carmen Carrión, “Are we done yet?” (Review of BAN4 at YBCA), LatinArt.com, fall 2005
Brent Clough, radio feature The Night Air on Radio National, Australian Broadcasting Corporation, Spring 2005
Trevor Mahovsky, “2048 KM” (review) ARTFORUM, January 2005
Robert Faires, “I Hear Dead People,” Austin Chronicle, October 29, 2004, p. 41
Molly Sheridan, “Visits with Joseph Cornell,” New York Press, April 8, 2004, p. 34
David Rubin, Bird Space, exhibition catalogue, Contemporary Art Center, New Orleans, 2004
Alison Ferris, The Disembodied Spirit, exhibition catalogue, Bowdoin College Museum of Art, 2003
Shelley F. Marlowe, “Portrait of an artist as a dead man,” SHOUT, Dec/Jan 2003, p. 15
Holland Cotter, “Spiritual America: From Ecstatic to Transcendent,” New York Times, March 8, 2002 p. B35
Peter Plagens, “This Man will Decide what Art is.” Newsweek, March 4, 2002
Lawrence Rinder et. al. 2002 Biennial, exhibition catalogue, Whitney Museum of American Art, 2002
Jan Estep, “Transcendental Twaddle: Saying Wittgenstein,” New Art Examiner, Jan-Feb 2002
Laboratorium, exhibition catalogue, Antwerpen Open, Antwerp, Belgium, 2001
Gwynneth Porter, “Art After Death,” Log Illustrated, (Christchurch, New Zealand), October 2001
Made In California, exhibition catalogue, Los Angeles County Museum of Art, 2000
Picturing the Modern Amazon, exhibition catalogue, New Museum of Contemporary Art, 2000
Cathy Curtis, “Capturing the Social Animal,” Los Angeles Times, 12/8/98 p. F1
Lisa Anne Auerbach, “‘Trash’ at L.A. Municipal Art Gallery,” Los Angeles Weekly, 4/3/98
Glen Helfand, “‘Wings of Desire/Floss,’” San Francisco Bay Guardian, 2/11/98
Glen Helfand, “Sam Durant, Anne Walsh,” San Francisco Bay Guardian, 10/1/97
David Frankel, "Anne Walsh," (review) Artforum, March 1997
Amelia Jones, editor, Sexual Politics - Judy Chicago's Dinner Party in Feminist Art History,
University of California Press, 1996
David A. Greene, "Photography Los Angeles? Not Now," L.A. Reader, 9/8/95
Christopher Knight, "LACMA's 'P.L.A.N." Isn't Your Standard Photo Show," Los Angeles Times, 7/8/95
Marcia Tucker, et. al. ,Bad Girls, New Museum of Contemporary Art, 1994
William Wilson, "Private Thoughts Go Public at Newport Harbor," Los Angeles Times, 10/6/93
Cathy Curtis, "Addressing the Idea of Home," Los Angeles Times, 10/5/93
Bruce Guenther, Fourth Newport Biennial, exhibition catalogue, Newport Harbor Art Museum, Newport, CA 1993
Clarissa S. Welsh, "Sexual Politics - Cherry Bomb at Southern Exposure," Artweek, 6/3/93
Glen Helfand, "Cherry Bomb", San Francisco Weekly, 5/6/93
Michael Anderson, "Sugar n' Spice", Art Issues, May 1993
Ralph Rugoff, "Sex Objects," L.A. Weekly, 4/2/93
Cathy Curtis, "Nice 'n' Subversive," Los Angeles Times 3/18/93
Carol Ann Klonarides and Noriko Gamblin, Sugar n' Spice, exhibition catalogue, Long Beach Museum of Art, 1993
David A. Greene,"Breaking Barriers," Art Issues, Nov/Dec 1992
Achille Bonito Oliva and Manuela Gandini, Invito Italiano, exhibition
catalogue, Commune di Termoli, Termoli, Italy, 1992
David McCracken, "Gallery Scene," Chicago Tribune, 5/29/92
Ralph Rugoff, Presenting Rearwards, exhibition catalogue, Rosamund Felsen Gallery, Los Angeles, CA 1991
Manuela Gandini, "Sulla Strada Dall'East Coast alla West Coast",Titolo – Rivista scientifico- culturale d'arte
contemporanea, Milan, Italy: Winter 1990-91
Meg Cranston, Blind Love, exhibition catalogue, Krygier/Landau Contemporary Art, Los Angeles, CA 1990
GRANTS/AWARDS
Research Fellowship, Townsend Center for the Humanities, University of California, Berkeley, 2005-2006
Summer Research Grant, University of California, Berkeley, 2004
Junior Faculty Research Grant, University of California, Berkeley, 2004
Junior Faculty Enabling Grant, University of California, Berkeley, 2003
Nomination, San Francisco Museum of Modern Art/SECA Award, Fall 2003
Faculty Career Development Award, University of California, Irvine, 2003
Thematic Residency, Banff Centre for the Arts, fall 1996
New Works Residency, Banff Centre for the Arts, spring 1996
Faculty Career Development Award, University of California, Irvine, 1996
ART MATTERS Artist's grant,1995
Faculty Career Development Award, University of California, Irvine, 1995
Los Angeles Center for Photographic Studies/Olson Grant, 1994
TEACHING HISTORY
UNIVERSITY OF CALIFORNIA, BERKELEY
Assistant Professor, Department of Art Practice, July 2003 - present
Courses: Digital Video; Advanced Video; Issues in Cultural Display; Graduate Seminar
UNIVERSITY OF CALIFORNIA, IRVINE
Senior Lecturer, Department of Studio Art, 1991 – 2003
Courses: Projects in Intermedia, Topics in Visual Culture; Beginning Sculpture, Advanced Sculpture; Issues in
Cultural Display; Issues in Feminism; Projects in Autobiography; Graduate Thesis; Studio Methods; Senior Projects;
Issues in Narrative; “The Shopping Class”
UNIVERSITY OF MICHIGAN, ANN ARBOR
Visiting Assistant Professor, Fall 1999
Courses: Conceptual Practices in Contemporary Art (Graduate Seminar)
UNIVERSITY OF CALIFORNIA, RIVERSIDE
Visiting Lecturer, Winter 1999
Courses: Topics in Contemporary Art
UNIVERSITY OF CALIFORNIA, LOS ANGELES
Lecturer, Department of Studio Art, Winter, 1993
Courses: Graduate Critique, New Genres department
ART CENTER COLLEGE OF DESIGN, Pasadena, CA
Visiting Graduate Advisor, Spring 1996 - present
Instructor, Department of Academic Studies, Spring 1991 - Summer 1992
Courses: Disorderly Images: Representing the Marginal; Introduction to Modernism
CALIFORNIA STATE UNIVERSITY, Los Angeles, CA
Lecturer, Department of Art, Spring 1991
Courses: Critical Theories in Visual Arts
Invited LECTURES/ PRESENTATIONS
University of Texas at San Antonio, spring 2007
California College of Arts, San Francisco, CA June 2006
Resonance Radio, London, UK, April 2006
Mills College, Dept. of Art, Oakland, CA October 2005
California College of Arts, San Francisco, CA April 2005
Berkeley Art Museum, Berkeley, CA February 2005
Pacific Film Archive, Berkeley, CA November 2004
University of Colorado, Boulder, CO October 2004
Hans Seidl Stiftung, Munich, Germany, July 2004
California College of Arts, San Francisco, CA February 2004
Berkeley Art Museum, Berkeley, CA February 2004
School of the Museum of Fine Arts, Boston, MA February 2003
University of Illinois at Chicago, Chicago, IL, February 2003
University of Southern California, Los Angeles, CA February 2002
Santa Monica Museum of Art, Santa Monica, CA March 2002
Banff Center for the Arts, Alberta, Canada, October 2002
University of Michigan School of Art and Design, Ann Arbor, MI September 2000
OR Gallery, Vancouver, Canada May 2000
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